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Jul 26, 2020

Twisted Stitches, without and on Purpose

When I came back to knitting after my divorce in 2000, I walked into a local yarn store. I asked the male presenting clerk about the various options for knitting socks. Now, I had never knitted a pair of socks, and, I had forgotten everything except how to knit and purl. I had access to lots of knitting books at the Portland, Maine, public library about knitting and so knew that the cast on I’d been taught at 8 years old was called “long tail cast on” and that I didn’t like it.


The books had a ton of options, but I had no idea of where to go next. So, after he sold me some yarn, a pattern and two sizes of needles, I asked the clerk about a cast on other than the long tail cast on to start the socks with that didn’t leave you guessing at how much yarn to use for the tail. 


He suggested the cable cast on. I don’t remember him showing me how to do the cable cast on, but he did say it was like knitting but going between the stitches to draw through a loop to put onto the needle. I had some books at home that showed various options for how to do the cable cast on, along with a few other cast on. This was way before the days of Ravelry and YouTube. If YouTube existed, it didn’t have much in the way of being a knitting resource. Yahoo groups had email lists that you could join and email into the listservs and share information that way. Some folks had blogs, with a few static pictures to show the information, but not many.


Anyways, I looked at the books, figured out what the pictures were showing me and got started pretty well. The pictures did a good job of defining the difference between the cable cast on and the knitted cast on, so I didn’t make that mistake. I did the ribbing, and then read the heel instructions. What was that saying?!?! I figured that I would understand when I got there, and decided to trust the pattern. Not for the first time in my life when it comes to sock knitting.


I got through the heel turn and gusset pick up and down through the toe and grafting of the first toe. Then, I put the project aside for a while as one does and got to know someone special over the summer. It was quite nice and is still fun!


Then, I got to wanting to actually wear the socks, so got back to knitting them. I got to the middle of the foot. Then, my new sweetie’s sister-in-law mentioned liking to knit, so it was okay to bring over my project if I wanted to share some knitting time with her. I did, and so did. She had a strange look on her face while looking at the sock and a half I’d completed by that point. She asked to see how I did my stitches. 


I showed her a few stitches and she stopped me. I asked what was up? She replied, “You’re twisting your stitches! See how mine lie so nice and flat, and your’s have a twist to them?” 


Reader, you know what, she was right. My socks were twisting of their own accord!


I asked how to make stitches like she did. She showed me in the project she was working, and I did the same movements in the project I was doing. She was knitting English, and I was knitting Continental, so that added some fun. But, I just watched what the yarn was doing, like I had in the pictures in those books for the cast on. 


Neither one of us thought to say or ask about frogging the socks and starting over. I just changed the way I knit in the middle of the project and that’s something I recommend folks don’t do, unless they want obviously different parts. For you know what, dear reader? 


Those socks still exist and are the weirdest pair I ever made. One and half of the pair twists around my foot like it’s a fruit loop doing a pole dance, and the other half is a typical sock. But, I love them both. I just typically wear them in shoes so that they don’t twist too much and drive me batty with the textures changing and the heels ending up on top of my ankles.


So, that’s the story of the Twisted Stitches, without a purpose. Now, to move on to the Twisted Stitches, with a Purpose, part.


Sometime in the mid-2010s, I would look at the Craftsy website and look at the classes list to see if anything was worth paying for, or more likely, if they had any new classes in topics I liked. While searching for ergonomic knitting, someone was offering a class in combination knitting. Looking at the description of the class, I knew the term and techniques described would be better found t a basic level elsewhere on the Internet.


I searched for combination knitting, and found out it was using Eastern mounted purls and Western mounted knits. But, like with those twisted stitches earlier, not to be played with while in the middle of a project. So, I finished or frogged all my projects in knitting. 


Not all my projects, there were still crochet and embroidery and painting projects going, of course. I can’t have no wips! 


Then, I got to work learning how to do these stitches when desired. It eventually made lace fly, as you're able to set up for an ssk on the row or round before it happens, just by the way the yarn is wrapped around the stitch. Then, also, I learned to knit backwards through that experimentation period. And, by setting up an Eastern mounted stitch on one round, and working it as though it’s Western mounted on the next round, it results in a Twisted Stitch, on Purpose, with a lot more ease. 


In one of the first knitting books I had ever read, I’d seen a reference to this way of purling. But because of the author’s lack of understanding and judgement, she called it a ‘lazy purl’ and so that’d kept me away from doing it for a long time. It was in Knitting Without Tears by Elizabeth Zimmermann. I love her chatty writing style and her way of talking about yarns and patterns. But, this is one point I disagree with her about. It’s a different way of purling, it is faster for continental picker style knitters, and is easier for some of us with stress or rheumatoid arthritis injuries, but lazy, not really. I know she’s not here to hear my complaint, but others who uphold her way of thinking are, and like me, need their minds opened a bit. 


Anyways, that’s how I came from Twisted Stitches without a Purpose, to Twisted Stitches with a Purpose. 


Caveats for those who decide to experiment with the way you knit that might have an impact on your knitting gauge, Finish All Your Knitting WIPS First!! It’s best to practice on a fresh project rather than an in progress project because it will change the intersection of your hands, yarn, and needles known as your gauge. On a dishrag this could be funny, on a sweater this could be anger inducing! Ask me how I know!!! Those socks weren’t my only experiment in changing how I knit mid-project. They are the only ones still existing, though. Some things just needed to be cut and trashed. Hence why I don’t use semi-precious or super expensive yarns.


Jul 24, 2020

Current Projects, an Update

Hi Folks!

With all the changes over at Ravelry and my own inability to use the classic version without getting a migraine quickly, I'm deciding to update projects here again. I had gotten out of the habit with the ease of Ravelry, but that's no longer an easy place to do stuff. So, here we are!

I plan to be doing these on a semi-regularly basis going forwards, every to every other week, depending on frequently I get to doing some projects.

First up this month is the first of the Hermione's Everyday Socks (link is to the Dreams in Fiber website for this free pattern). I am using Knit Picks Stroll in Pucker, a hot pink color. I adapted the pattern using Cat Bordhi's Sweet Tomato Heel and making them toe-up, instead of cuff down as directed in the pattern. I adapted the Sweet Tomato Heel by making it over only half the stitches, it works in this instance, but you should experiment in your own sock knitting if adjusting patterns. I didn't use a lifeline, but it would have been a good idea.

Here's a picture of one of the socks. I'm still in knitting the leg of the other sock. I need to count how many pattern repeats I did in this one to make the current one match before working the ribbing.


I also made a Beekeeper's Quilt (link is to the Tiny Owl Knits blog post about the pattern, there's a link to buy the pattern through Ravelry at the bottom of the page) motif known as a hexipuff, but since it's not stuffed, also known as a hexi-flat. Lots of knitters all over the world make these, some stuff them, and then sew them together to make coverlets of varying sizes. 


That's it so far this month. I am doing well living through the pandemic mostly. It's a good time to listen to podcasts and learn more about how my brain works. 

I hope y'all have a good crafting month.

Later,
Jen

Jul 7, 2020

Index of Patterns with Etsy and Blog LInks, and note about Ravelry

A note about Ravelry:
Ravelry has been causing seizures, eye strain, migraines, and vertigo to users of the new version and the old version has been problematic for some folks as well. I know because I am one of them too. With that said, I encourage you to use the Etsy links rather than the Ravelry shop. I am not going to link directly to my designs on Ravelry anymore. If you want to find them there, they can be found under my user name: MKmaineknitter


Stash Busting Scarf


Ribbed for my pleasure socks


Love's depth cabled socks


Irish Kate Market Bag


Granny's love mitts


hourglass crochet scarf


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Patterns with Blog Posts

Vest or Waistcoat for 18-inch Dolls

Mermaid Tail for 18-inch Dolls

Curly Mitts


Jun 30, 2020

Ravelry

On 16 June 2020, Ravelry rolled out a new look. The aesthetic is their choice to do with as they see fit. However, they also broke some of the screen reader access they had in doing so. Folks have reported seizures, migraines, vertigo, eye strain, and other symptoms from spending a bit of time on the new version.

Two days later, Ravelry released a way to access the older version of the website, but one had to go through the new version to get to the older version to do so. This still leaves out those who cannot access the site because of the broken screen reader access or other symptoms. Plus, the fact that one had to know that the access to the older version was even available.

Throughout the time since Ravelry has released their new look, they have posted two blog posts. Both posts are super cheerful and encouraging about the changes. Neither post mentions the hardship some members have in accessing the site, just a small reference to a set of users using the older version. Not that that is an indication of anything when all the former users are not able to access the site, and what does it mean anyways. Percentages were given, but percentages of what numbers, from what time and what kind of snapshot is that. Statistics are always manipulations of data.

There's been a lot of new accounts from folks logging in to see how things are to see how the code works and offer how to help adjust it for better practices to make it accessible to all users. Some new accounts are also journalists and others looking for interesting things to stir up trouble. And, a few are valid accounts of new folks actually interested in the crafts Ravelry represents. A 103% increase over a time when account sign ups were closed isn't hard to explain away.

In the past, the owners of Ravelry have been transparent and hands on with users. In the time since the change, Ravelry has only posted twice on social media outlets to share the blog posts already mentioned. This feels like ghosting from the owners.

The forums have always been open to a variety of topics. In particular forums, everyone can ask questions of the management of Ravelry and have a discussion. Since the change, the moderators of the forums in question have been locking threads and hiding posts by folks asking valid questions of the management. When that happens and folks ask more questions, those are hidden and the questioners are banned from asking questions. This is why folks with disabilities and their friends feel like the management of Ravelry is being ablest and gas lighting and demeaning us.

We just want an open discussion with the ability to fix this snafu. It can be fixed. Alt text for screen readers is not hard to add to the log in screen. A choice to log in to the old or new version at the log in screen is not a hard thing, why make folks go through the adverse reaction website to get to the better website (even if it's not the best it could be).

May 23, 2019

Frustration ... Acceptance

Frustration leads to suffering.
Acceptance leads to peace.
Existentially.

Let me break that down.

I used to get really frustrated when I had migraines. Sometimes, I still do. I'm human. That frustration at having the migraines led to the suffering from the pain.

You can be in pain and not suffer.

I have been in pain and not suffered.

The secret, not-so-secret-secret, is to not resist the pain and therefore not get frustrated and just radically accept that yes, there is going to be pain, now how am I going to deal with it?

Am I going to rest, and let my body have a break?

Am I going to take some medication to assist my body in getting through the time?

Am I going to use ice or heat to reduce the pain?

All of those things require acknowledging that I am in pain an accepting that it is happening.

Pushing through the pain, creating more pain, and making things worse leads to frustration.

Frustration from not being able to do what I want when I want.

Frustration from my body being not as strong as I want in the moment.

Frustration from not accepting life as it is.

That's the simple definition of radical acceptance.

I'm human, so it's a continual lesson. I do learn it again when frustration sneaks in.

Acceptance is self-care.

Feb 21, 2019

Children of Bone and Blood, A Review

http://www.tomiadeyemi.com/books


Children of Blood and Bone by Tomi Adeyemi is a great fantasy novel with a dystopian story line about a totalitarian patriarchy that is at a tipping point in the life of a set of teens and the kingdom.

Zelie has a chance to bring back an utopian state and strike down the monarchy. She has help along the way, but must survive many dangers to get through the harshness of life on the way to fighting the good fight.

Some of my favorite parts in this book start at the beginning with the training sessions with Mama Agba, the language, the sparing between Zelie and Amari until they begin to trust each other, and Amari's memories of Binta. 

There's a few ways oppression is manifest in this story. There's classism between the have's and the have-not's. Diviners are the lowest class, if that word can be used, can be born into any family, and, appear in the strangest places. Then there's the kosidan class, who are distinguished from the diviners by not having white/grey hair. Then there's the oloyes class, who are distinguished from the kosidan and diviners because they are the nobility and courtesans. Then there's the royals, who are able to command anything and the king has command over everything from life and death for everyone under him within the realm.

I used to think that I understood the all encompassing fear that women live with. But, being white, I don't have that fear all the time anymore. I used to, but healing has removed it from me. But, I am not one who has to fear that my life is in danger all.of.the.time now. Zelie experiences fear all.of.the.time and you experience that in the chapters written from her perspective. I now know that I am not having the same experience of most black and indigenous women of color in fearing their lives every single moment. Now, I will do what I can to lessen that fear.

I think this is a great book and it can change your life if you let it. Ms. Adeyemi wrote it to emphasize the blackness of the characters and reading the book, you cannot miss that everyone, almost, is black. There's a couple, out of the many hundreds of characters shown, who might not be black, but everyone else unabashedly, unashamedly black. You can read this book and be a racist at the beginning, but I don't think you will be the same at the end.

I am reviewing this book from my own library of books I have the privilege of owning. I give it five stars, out of five stars.